Do pirate radio stations make money

Posted: baobab On: 02.06.2017
do pirate radio stations make money

Pirate radio is going the way of other mass media. For 22 years it has broadcast a mixture of house, garage, jungle and techno music; its DJs appear at parties across the city. Yet its primary output is illegal.

Britain has had pirate radio stations since the s, when Radio Caroline broadcast from a ship in the North Sea. In the s unlicensed operators helped drive the rise of British types of dance music such as jungle and garage. Now that anyone can broadcast on the internet, illegal transmissions might seem unnecessary.

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Yet pirate stations survive, particularly in London. Around 75 broadcast regularly from within the capital, according to Ofcom, the telecoms regulator, and around ten do so 24 hours a day.

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Pirate radio stations divide into two camps. Stations such as Flex FM and House FM mostly play dance music mixed by their own DJs.

do pirate radio stations make money

The second sort serve immigrants: These combine music with religious broadcasting, fast-paced chat and some news. Few make much money. The business model tends to be co-operative: Advertising brings in some cash: On dance-music stations the ads are often for club nights hosted by the station. On ethnic-minority stations they are more typically for money-transfer companies and immigration lawyers. Even the police have used pirate broadcasters to reach young people. Stations hold on for several reasons.

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FM radio is convenient for poor immigrants, who may not have access to a computer or a digital radio. And broadcasting reaches a local audience in a way that few alternative media yet can. Pirate radio is still important to the music business.

Ambitious DJs continue to join pirate outfits in the hope of getting gigs at clubs or commercial stations.

Yet decline seems inevitable. Hipsters increasingly use online services such as SoundCloud to find new music; gigs and raves are advertised on Facebook. In London at least, fewer young people drive, removing a crucial market for FM radio. Pirate broadcasters pledge to carry on. Matt Mason, an author and former pirate DJ, says there is something authentic about the crackle of radio. But the future, most admit, is online.

Flex FM has 33, subscribers on TuneIn radio, an online streaming app. More still download podcasts. And thriving online is difficult: Mr Mason now works for a bigger organisation—BitTorrent, a peer-to-peer platform many people use to share music. The appeal of broadcast is fading.

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