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Posted: Skygirl On: 02.07.2017

How an uncredited bassist, Jim Morrison's acid-fueled studio meltdown and a fateful Buick ad played into band's legendary first LP. If you wanted to craft the perfect rock debut, the most obvious route wouldn't be to meld Bavarian oompah with Willie Dixon's Chicago blues, Bach minuets with John Coltrane charts, 12th-century Celtic myths with ancient Greek tragedy, topped off with plenty of existential angst and a healthy dose of psychedelics.

But even with influences touching on all of the above, the Doors ' self-titled debut would soon make the band immortal, thanks to songs like "Break on Through to the Other Side ," "The End" and the immortal "Light My Fire. With new 'London Fog ' box set out, Robby Krieger and John Densmore look back. Live from the Whisky a Go Go' The Doors captured for eternity the raw, vital, hypnotic excitement of four fearless artists.

In honor of the album's 50th anniversary, here are 10 little-known facts about the record's conception and reception. The Doors' guitarist may have had the greatest beginner's luck in rock history. Having never completed a song, the year-old composed "Light My Fire," the Number One smash that continues to evoke the Summer of Love's sensual heat.

Why do I have to do all the work!? Write about something that will last, not just about today. Krieger labored over the song for several days, determined to conjure up something more than a standard rock progression. I decided I was going to put every chord I knew into this song — and I did! There's about 14 different chords in there. With a verse and chorus under his belt, he brought the work-in-progress before his bandmates. The song had a folk-rock flair in this early state, leading some in the group to derisively compare it to a Sonny and Cher number.

But Morrison saw its potential and offered to contribute some extra lyrics. Why do you always have to do that?

You'll have the love part of it and then you'll have that death part of it. Manzarek added the cartwheeling Bach-like introduction and bass line borrowed from Fats Domino's "Blueberry Hill" while Densmore lent the Latin rhythm. When it was released the following year, the song would be jointly credited to the Doors. Before recording their debut, the Doors provided backing music to a Ford Motor Company training film.

In the early spring ofthe Doors' were dropped from a preliminary Columbia Records contract with little warning — and little to show for it. Lacking representation and struggling financially, the band took an unglamorous gig at Parthenon Pictures providing incidental music for a Ford Motor Company customer service training film titled Love Thy Customer.

The Doors piled into a cramped screening room at Los Angeles' Rampart Studios, where they viewed the minute clip on a small monitor. They composed a soundtrack largely on the spot, jamming live as the scenes flickered past. Fragments of what later became "I Looked at You," "Build Me a Woman," and "The Soft Parade" can be heard in the finished product.

Though they played only instrumental passages, Morrison is said to have contributed percussion and additional sound effects. Believed to be lost for decades, Love Thy Customer was discovered in the UCLA film vaults in and released on the Doors rarities DVD R-Evolution. However, the original soundtrack session tapes have yet to be located.

The Doors guitarist spent his early years emulating flamenco masters like Mario Escudero, Carlos Montoya, and Sabicas before moving into the blues. From there he discovered the raw Chicago sound of the Paul Butterfield Blues Band, bolstered by the searing twin guitars of Mike Bloomfield and Elvin Bishop.

Their work would have a marked influence on his playing style, particularly on the track "Break on Through to the Other Side. When the Doors began arranging the Morrison composition, Krieger found a familiar line falling out of his guitar. In the same documentary Manzarek also demonstrates how he lifted the keyboard bass line from Ray Charles' "What'd I Say," as well as elements of his organ solo. The first two songs they recorded were shelved, but alternate versions surfaced on future Doors albums.

The bewitching combination provided the spark that led to the band's creation in Julywhen Morrison and Manzarek, former classmates at UCLA's film school, bumped into each other on the sands of Venice Beach.

The friends hadn't seen each other since graduating that spring, and it was a welcome reunion. He kind of closed his eyes, and began to sing in a Chet Baker, haunted whisper kind of voice. He began to sing 'Moonlight Drive,' and when I heard that first stanza — 'Let's swim to the moon, let's climb through the tide, penetrate the evening that the city sleeps to hide' — I thought 'Ooh, spooky and cool, man.

The song featured prominently in the nascent Doors' early sets, and was even included on a demo recorded that September at Trans World Pacific Studios. Krieger had yet to join the band — Manzarek's brothers Jim and Rick handled guitar and harmonica parts. When the four Doors finally came together, rehearsing at a friend's garage behind a Santa Monica bus depot, "Moonlight Drive" was the first number they played.

Are we allowed to do that on this planet? We all just sort of nodded our heads and that was it. That was the birth of the Doors. When the band convened in Sunset Sound studios to record the The Doors in August"Moonlight Drive" seemed like an appropriate starting point.

But inhibited by the unfamiliar studio setting, they were unable to recapture the magic of their first rehearsal. So we rearranged it for the second album ['s Strange Days ] and made it a little more wild. The second song they worked on that day, "Indian Summer," also failed to make the cut. After recording "The End," Jim Morrison returned to the studio on LSD and hosed the band's equipment with a fire extinguisher.

The piece was especially exhausting for Morrison, who delivered a lengthy mid-song poem inspired by the Greek tragedy Oedipus Rex. Performing "The End" before a live audience was enough of a challenge, but summoning the energy in a sterile recording studio took considerable effort on the part of the band, producer Paul Rothchild and engineer Bruce Botnick. The studio was very dark. At first the hallucinogen had an overall positive effect on the performance, but during the playback it became apparent that Morrison where to get money order or cashiers check, by Krieger's estimation, "too high to continue the session.

Morrison had a different idea. The rest of us left, but he snuck back into the studio and got pissed off that there was no one else around, so etrade stock trading simulator sprayed the place down with a foaming fire extinguisher.

Botnick elaborates on the episode in Mick Wall's Love Becomes a Funeral Pyre. He came back to the studio and the gate was locked. He climbed over the gate, got in, but he couldn't get into the control room. But the studio was open and the red lights were on. Manzarek recalled the story slightly differently. In his memoir, Light My Firehe claims that Morrison began ranting about a fire while being driven home from the studio by his girlfriend, Pamela Courson.

He was so persistent that Courson reluctantly returned to the studio, and Morrison immediately bounded over the fence. The following day, a single boot, belonging to Morrison, was found among the destruction.

No reason to winning edge trading system the police. We all knew right away what had happened. Elektra head Jac Holzman immediately cut a very large check to studio owner Tutti Camarata. I'll pay for the damages," he told Mojo. The incident was smoothed over, but Krieger felt the moment marked a turning point in Morrison's psyche.

The Doors used a secret bass player in the studio — Wrecking Crew session legend and future Bread member Larry Knetchel. Instead of a bassist, the Doors famously relied on Ray Manzarek's left hand to hold down the low end with a Fender Rhodes Piano Bass keyboard. The role originally fell to him out of necessity when the band first began to coalesce.

Then we auditioned another bass player and we sounded like the Animals. The absence of a bassist became a crucial element of the Doors live sound, but Rothchild felt that the recordings needed a stronger bass attack than the occasionally "mushy" Rhodes could provide. He quietly hired Larry Knechtel, of the ubiquitous gang of Los Angeles session players known as super money maker treadle pump Wrecking Crew, to thicken the sound.

Knechtel had already appeared on hits by the Beach Boys, Elvis Presley and the Byrds by the time he was booked to overdub bass lines on six of the record's 11 tracks, including "Light My Fire" and the swaggering "Soul Kitchen. Knechtel's work on The Doors went uncredited at the time, elmore james shake your money maker youtube it was years before the extent of his contributions were known.

Some criticized the band for seemingly airbrushing the player out of the Doors' story, but Densmore clarifed the decision in a Facebook post. He didn't record with us on the tracks, he overdubbed later. This was a time before Moog synthesizers, and Rothchild felt correctly that Ray's lines needed more sonic punch from a string plucked in addition to a keyboard. Knechtel would not play on any future Doors sessions, but he did reportedly record bass on Jose Feliciano's flamenco version of "Light My Fire," which became a Number Three hit in the United States in To promote the album, Elektra Records purchased the first "rock billboard" in history.

Sessions for The Doors were complete by the end of the summer, but Holzman decided to hold the album's release until the following January to avoid the crush of albums earmarked for the Christmas market.

If the band were disappointed by the delay, they were soothed by Holzman's ingenious promotional scheme: The medium had traditionally been used to push films, food, cigarettes and a host of other products, and this was the first time a rock band would appear on one.

The venture was, according to Holzman, "a calling card for the artist, but it was a very large calling card. He was right, giving birth to a whole new field of artist promotion. Rock billboards would soon dot the Strip and beyond. According to Densmore, the extravagance earned the band some good-natured ribbing. I mean, you really can't hear a billboard. And nobody's heard of the Doors yet.

Jim Morrison falsely claimed that his parents were dead in the press bio that accompanied the album. The infamous "Father, I want to kill you," passage from "The End" was inspired by Oedipusbut the theme had a personal resonance for Morrison. His complex relationship with authoritarian parents precipitated the inner turmoil that characterized his adult life, inspiring both his finest brokers australian stock exchange and his madness.

On the rare occasions that Morrison spoke of his childhood, he described it as "an open sore" — painful and best kept under wraps.

His father, George Stephen Morrison, was a high-ranking career naval officer. It was he who gave Morrison the middle name "Douglas" after General Douglas MacArthur, in hopes that his son would follow in his footsteps.

On that score, he would be severely disappointed. The family moved often, and Morrison's father was frequently absent on tours of duty. When he was home, he had little patience for youthful disobedience. Though Morrison's younger brother Andy tells author Jerry Hopkins that he, Jim and sister Anne rarely received physical discipline, he says they were routinely elmore james shake your money maker youtube to the military punishment known as "dressing down," wherein the culprit would be berated into submissive tears.

Ultimately promoted to Rear Admiral, Morrison's father was something of a military Zelig. In he witnessed the bombing of Pearl Harbor. Two decades later, aboard the USS Bon Homme Richard aircraft carrier, he commanded American naval forces during the Gulf of Tonkin incident, a military clash that led to a dramatic escalation of the war in Vietnam.

He was a familiar face around Cape Canaveral, the Pentagon and the Naval Golf Course. After learning of his son's desire to become a rock singer, the elder Morrison wrote a letter urging him "to give up any idea of singing or any connection with a music group because of what I consider to be a complete lack of talent in this direction.

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When Elektra approached the Doors to pen press bios for their debut album, Jim took the opportunity to edit his own history. Asked to name his parents and siblings, he simply wrote, "Deceased. Morrison's split from him family was total; they didn't even realize he was in a band.

His brother Andy only found out when a classmate showed him the Doors album cover and pointed out his resemblance to the lead singer. That's how we found out. We hadn't seen Jim or heard from him in two years. I played the album for my parents the day I got it, the day after my friend told me about it. He plays piano and clarinet. Dad likes strong melody. He hates electric guitars. He likes the old ballads. He doesn't like rock. He listened to the album and afterwards he didn't say a thing.

Morrison's mother Clara made attempts to contact him through Elektra Records, but the newly minted rock star kept her at arms length. He barred her from visiting him backstage during a gig in Washington, D.

Those in attendance later said that the Oedipal section in "The End" packed an extra strong punch that night.

elmore james shake your money maker youtube

Throughout the band's travels, Morrison managed to keep in touch with Andy, who was just 19 in He told me if he called once, they'd expect calls every month or so. He said, 'Either you break it, or you're part of the family — there's no halfway point. Either you talk all the time, or not at all. Admiral Morrison declined to speak publicly about his son until the end of his life.

He knew I didn't think rock music was the best goal for him. Maybe he was trying to protect us. Densmore proposed another reason in his memoir. The band was unbothered by the incident.

We only wanted to do it once. An earlier attempt at censorship had been more successful. But Rothchild was concerned that the song's "She get high" refrain would limit its airplay potential. Though lyrically meaningless, the abrupt passage became a familiar part of the song. When Botnick restored the missing "high" as part of the remaster of The Doorssome rock purists were outraged.

The Doors — minus Morrison — agreed to license "Light My Fire" for a Buick ad. When Morrison found out, he threatened to smash a Buick during every Doors concert.

After the band's European tour concluded in Sweden on September 20th, Morrison decided to stay in London with girlfriend Pamela Courson and work on his poetry under the encouraging guidance of writer Michael McClure. It seemed like a great plan, except for the fact that his bandmates knew next to nothing about it. The Tragic Romance of Pamela and Jim Morrison.

It wasn't obviously a big Buick or anything like that. The Doors had always vowed to split both profits and decisions equally, but Morrison was out of contact and Buick needed an answer. We'd really like to have have Jim's vote here, but it's a lot of money and it's really big and could be important, so fuck it, let's go!

elmore james shake your money maker youtube

Morrison was apoplectic when he learned of the decision after returning home that November. Jim accused us of making a deal with the devil and said he would smash a Buick with a sledgehammer onstage if we let them [change the lyrics]. One apocryphal story has Morrison angrily ramming 16 Buicks parked on the Sunset Strip, totaling his own Porsche in the process.

True or not, he vociferously expressed his frustrations to Siddons, Holzman and others in the band's management, demanding that the contract be rescinded. An elaborate radio, television and print campaign was already underway, including a billboard within sight of the Doors' offices. But it came to nothing. In the end, Buick scrapped the concept. They claimed that they merely decided to go in a different creative direction, but perhaps a few words with an enraged Lizard King set them off the idea.

Whatever the reason, the Buick incident irreparably damaged the brotherhood of the Doors. That was the day Jim said, 'I don't have partners anymore; I have associates.

elmore james shake your money maker youtube

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